Design Principles - Task 2 : Visual Analysis & Ideation

19/2/26 - 5/2/26 / Week 3 - Week 5
Janice Cheah Pei Ern / 0376497
Design Principles / BDCM / Taylor's University
Task 2

LIST / JUMP LINK


LECTURES

Visual analysis includes the three phases below:

Phase 1: Observation
Look closely and identify visual elements then try to describe them carefully and accurately using own words.

Phase 2: Analysis
Think about observations and visual elements identified. How do they combine to create design principles to make a design work complete? What are the effects on the viewers?

Phase 3: Interpretation
Fused observation and analysis with facts about the design work/designer and historical context. What is the meaning of the design? What was the purpose for it to be created?


INSTRUCTIONS



TASK
Task 2: Visual Analysis & Ideation

In this task, we have to do a visual analysis on the design work that we selected in Task 1. Afterwards, we will draft out 3 sketches inspired by the design we selected.

Selected Design in Task 1:


Title: Yellow
Designer: MANOdeMARINA
Year: 2024
Size: 2160 px X 1440 px
Medium: Digital Art

Visual Analysis
Observation
This is a portrait design work done by MANOdeMARINA. The character dominates the composition. She is drawn from the head to the knee, gazing at the viewers. She is standing in a slanted body pose. She is doing a hand pose where one of her hands is doing a salute-like gesture near her face while the other hand extends outward. As for the visual elements, the main colours observed are yellow, black and white. There is a huge rectangle behind the character in the background. The character is majority drawn with curvy and organic lines with a rough brush style. Some of her parts are outlined while some are empty, blending into the yellow rectangle in the background.

At first glance, the illustration style reflects traditional Japanese calligraphy styles (Image B) through its expressive, brush-like strokes and variation in weight of the strokes, especially on the hair. It ties back to the origins of the artist.

Image B:
“Do no evil, do good” by Ikkyuu Soujun (15th century C.E.)

The proportions and the overall style of the character also reflect fashion illustration in the Art Deco era, particularly illustrations done by Alfredo Bouret. His drawings (Image C) were focused on the graceful figures and their elegance. By merging calligraphic expressiveness with Art Deco elegance, the design combines both Eastern and Western influences.


Image C:
Balenciaga by Alfredo Bouret (1960)

Analysis
There is a visible colour contrast of the dark black against the bright, warm yellow, immediately catching the viewers’ attention. The design is asymmetrically balanced, as even though there are more details on the upper body of the character, it is still visually balanced with the help of the extended outward hand, stabilising the composition. It looks visually balanced, as there is also golden ratio applied, as observed when its template is overlaid on the design (Image A). There are a lot of details on her face and black shapes from her dress and glove near the upper body, making it the emphasis of the composition and guiding viewers’ attention to it. Her hair has some sense of movement, which suggests the air is breezing at her and preventing the composition from being static. There is repetition in the style of the lines used for the character to make everything look together, contributing to the harmony and unity of the composition. Gestalt’s theory of Figure & Ground principle and Closure principle is also noticed here. Although it is not fully outlined, we can still differentiate the character and the background by visually completing the missing information.

Image A:
Golden ratio template overlaid on the drawing

Interpretation

This drawing was designed by Japanese artist MANOdeMARINA and posted by them on social media as a series that follows a similar concept but explores different colour variations. In this particular piece, the usage of yellow expresses a feeling of joy and creates a bright and cheerful atmosphere. In addition, the character's playful and expressive pose further enhances the joyful feeling in the artwork. Together, both the colour and the pose used work hand in hand to make the design engaging.

Sketches
1st Sketch

Rationale: 
For my 1st Sketch, I explored on the feeling of burnout. The vase resembles a tired face while vines with wilted flowers rise from it, looking like smoke, representing the overwhelming thoughts and exhaustion. At first glance, it appears simple but on closer look it reveals a loss of motivation.

References:

Sources:

2nd Sketch

Rationale:
For my 2nd Sketch, I wanted to express the idea of breaking free from restrictions to pursue dreams. I used the figure's hair as her own inner self, where the whale represents her spirit. As the whale breaks through the chains into the sea of stars, it symbolizes freedom from rules and limitations.

References:

3rd Sketch

Rationale:
For my 3rd Sketch, I thought of how cats are sometimes associated with greedy behaviour, which also led me to connect with historical kings who wanted more wealth to themselves. I made my cat looked like a king reaching for coins while its ears are sharp resembling devil horns, symbolising corruption and temptation.

References:
Sources:

Chosen Sketch
This sketch is chosen as it has the best concept and meaning among the others. It can also be further developed during Task 3.

FEEDBACKS

Week 3
General Feedback: Overall nothing requires adjustment.

Week 4
General Feedback: Try and play around more rather than follow the style fully.

Week 5
Specific Feedback: Move interpretation part to observation and talk about the colour and pose used instead. Sketches have the principles but should have a concept/meaning behind it.

REFLECTIONS
This task was slightly harder for me at first because I thought I have to try and follow as closely as possible to the design I have selected. After my tutor, Mr. Max clarified on how I can do it in my own style and have some story/meaning for the sketches, the sketching process became smoother and he approved my sketches.

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